Lolita (Amazon Exclusive) [Blu-ray]

Publisher : Warner
List Price: ~~$19.98~~
Our Price: $23.25
Used Price : $23.25

Product Description

Newly arrived in Ramsdale, New Hampshire, European émigré Humbert Humbert is smitten. He plans to marry Charlotte Haze. That way he’ll always be close to his dear one – Charlotte’s precocious daughter! Filmmaker Stanley Kubrick explores the theme of sexual obsession (a subject he would revisit 37 years later in Eyes Wide Shut) with this darkly comic and deeply moving version of Vladimir Nabokov’s novel. James Mason plays devious, deluded Humbert: wedded to needy Charlotte (Shelley Winters); rivaled by the ubiquitous Clare Quilty (chameleonlike Peter Sellers); and enraptured to his gelatinous core by the blithe teen (Sue Lyon) with that “lovely, lyrical, lilting name” – Lolita.

Amazon.com

When director Stanley Kubrick released his film adaptation of Vladimir Nabokov's controversial novel about a hopelessly pathetic middle-aged professor's sexual obsession with his 12-year-old stepdaughter, the ads read, "How did they ever make a film of Lolita?" The answer is "they" didn't. As he did with his "adaptations" of Barry Lyndon, A Clockwork Orange, and, especially, The Shining, Kubrick used the source material and, simply put, made another Stanley Kubrick movie--even though Nabokov himself wrote the screenplay. The chilly director nullifies Humbert Humbert's (James Mason's) overwhelming passion and desire, and instead transforms the story, like many of his films, into that of a man trapped and ruined by social codes and by his own obsessions. Kubrick doesn't play this as tragedy, however, but rather as both a black-as-coffee screwball comedy and a meandering, episodic road movie. The early scenes between Humbert, Lolita (a too-old but suitably teasing Lyons) and her loud, garish mother (Shelley Winters in one of her funniest performances) play like a wonderful farce. When Humbert finally fulfills his desires and captures Lolita, the pair hit the road and Kubrick drags in Peter Sellers. As the pedophilic writer Clare Quilty--Humbert's playful doppelgänger and biggest threat--Sellers dons a series of disguises with plans of stealing Lolita away from her captor. It's here more than anywhere that Kubrick comes closest to the novel. He extends Nabokov's idea of the games and puzzles played between reader and writer, Quilty and Humbert, Lolita and Humbert, etc., to those between filmmaker and audience: the road eventually goes nowhere and Humbert's reality is exposed as mad delusion. Perhaps not a Kubrick masterpiece, or the provocative film many wanted, Lolita still remains playfully fascinating and one of Kubrick's strongest, funniest character studies. --Dave McCoy

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